Final Cut Pro X 10.0.8 Mac OS X Full Version | 1.6 GB
An amazing new timeline. Dynamic media organization that takes the work out of finding clips. And blazing performance.
Revolutionary Video Editing - Edit without clip collisions or sync
problems using the Magnetic Timeline, Clip Connections, and more.
Powerful Media Organization - Find any clip in just a few clicks using a combination of automatic metadata and custom keywords.
Incredible Performance - Use the full power of the Mac for fast,
responsive editing, with consistent color and quality at every step.
Revolutionary Video Editing
Rebuilt from the ground up to meet the needs of today’s creative
editors, Final Cut Pro breaks free from the restrictions of
old-fashioned timeline tracks. A dynamic editing interface enhanced for
the Retina display on the MacBook Pro lets you experiment freely while
working with extraordinary speed and precision.
Magnetic Timeline Suddenly, everything falls into place.
With a visual simplicity that reveals powerful professional tools just
when you need them, the Magnetic Timeline in Final Cut Pro offers an
exceptionally fluid, flexible way to edit. Assemble shots with ease as
clips “magnetically” close up to eliminate unwanted black gaps in the
timeline. Similarly, clips move out of the way to avoid clip collisions
and sync problems, so you can focus on creating your story. If you’d
prefer to work with traditional, non-rippling editing behaviors, you can
use the Position tool to build your timeline. Interactive animations
show you exactly what’s happening as you work, so you can easily try out
new ideas.
Multicam Powerful. No matter how you look at it.
Assemble sophisticated multicam projects with unprecedented speed and
flexibility using Final Cut Pro. The 64-bit engine allows you to work
natively and in real time with a variety of formats, frame sizes, and
frame rates. Create a Multicam Clip by automatically syncing up to 64
angles of video and photos, or choose custom sync options to precisely
align footage based on time of day, timecode, markers, or audio
waveforms. To adjust a Multicam Clip, double-click to open it in the
Angle Editor, which lets you move, sync, and edit the look of individual
clips. When it’s time to cut, simply drop the Multicam Clip into your
project and click in the customizable Angle Viewer. Or use keyboard
shortcuts to seamlessly switch between video and audio on the fly. You
can even combine audio channels from multiple cameras with just a click.
Multichannel Audio Editing Look deeper into audio.
Edit multichannel audio faster than ever right in the timeline. A simple
keystroke lets you expand any audio file in place so you can view its
separate components. Easily enable or disable entire channels, and
select ranges for fine control of timing and volume. For a complete view
of your audio file, access the Inspector, where you can rename and hide
individual channels. And if you’re working with Multicam Clips, you can
switch between and combine multiple audio sources with a click.
Clip Connections Keep it together.
Clip Connections make it simple to place clips such as B-roll, sound
effects, and music in the timeline so they all move together as you make
changes even in the most complex projects. Final Cut Pro automatically
creates a Clip Connection when you drag a secondary element to the
timeline.
It’s easy to reorganize your story as you work, because you can move a
section of your project in a single step. Or press a modifier key to
keep Connected Clips locked in place as you rearrange clips in the
Primary Storyline. Clear visual connections make it easy to hand off a
project to another editor or resume editing at a later date.
Compound Clips Cut through timeline clutter.
With Compound Clips, you can group a complex set of elements and
collapse them into a single clip. This removes clutter from the timeline
and creates a simplified version of the segment that’s easy to move or
duplicate. You can step into a Compound Clip or expand it to make
changes to individual elements at any time.
Compound Clips are automatically saved to the Event Browser, making it
easy to reuse them in other projects — for example, when designing a
unique sound effect with layered audio. And Compound Clips work just
like Multicam Clips, so changes you make in the Event Browser instantly
ripple across your projects.
Inline Precision Editor Perfect the pacing. Right in the timeline.
The Magnetic Timeline improves on traditional ways of trimming,
including ripple, roll, slip, and slide edits. If you need additional
control, double-click an edit to open the Precision Editor and make
trims directly in the timeline. The Precision Editor expands your view
of the edit point so you can see both used and unused portions of your
clips. Then skim entire clips and adjust edit points with a click.
Auditions It’s never been easier to choose the perfect shot.
With the unique Auditions feature, you can collect multiple alternative
shots at a single location in the timeline and quickly cycle through
them in context. Test different B-roll shots, different reads of the
same lines, different color grades for the same shot, or different
effects. Or use Auditions to create multiple versions of your project
for different deliverables and venues. It’s easy to create an Audition —
simply drag shots of any length to the same place in the timeline and
choose “Add to Audition.” As you try out different shots, the Magnetic
Timeline keeps everything in sync.
Powerful Media Organization
Today’s video editor deals with more formats and footage than ever
before. Final Cut Pro X helps you handle it all with ease, offering a
streamlined import interface and dynamic new ways to organize your
media.
Unified Import A single window for any source.
Seamlessly import media from file-based cameras and file system
locations using the unified import window. The streamlined interface
includes a customizable List view ideal for reviewing metadata and a
Filmstrip view that makes it easy to browse large amounts of footage.
Built-in PTP support lets you import photos and videos directly from
your DSLR camera. You can even add frequently used file system locations
to the Favorites sidebar for fast access.
Content Auto-Analysis Let your media organize itself.
Final Cut Pro dramatically speeds up preparing your media by analyzing
your source material in the background while you edit. Content
Auto-Analysis scans your footage and creates metadata based on the way
editors like to work — with range-based tags for media attributes,
camera data, shot type, and whether the shot contains one person, two
people, or a group. Use these tags to sort, filter, and search your
clips.
Set up Auto-Analysis to occur during import or analyze clips later if
you prefer. Content Auto-Analysis also performs processor-intensive
analysis ahead of time for features such as image stabilization,
corrections for rolling shutter distortion, color balance, and repairs
for typical audio problems. Then you can use these features in real time
as you edit.
Range-Based Keywords Sort, filter, and search. On your own terms.
Search even more precisely by creating your own keywords and assigning
them to clip ranges. Skimming and keyboard shortcuts let you efficiently
browse hours of footage, and you can make and maintain multiple range
selections — even on the same clip. Use range-based keywords in
combination with rich metadata from Content Auto-Analysis to find any
shot with a few keystrokes. That’s a big improvement over old-fashioned,
static bins.
Smart Collections Search without a second thought.
Set up Smart Collections to organize clips in a variety of ways without
moving or copying files. Create a search using any combination of
metadata and keywords, then save it as a Smart Collection. Final Cut Pro
automatically adds new items to a Smart Collection when there is a
match with the fields you’ve selected.
Content Auto-Analysis creates Smart Collections for you using key
attributes such as shot type or the number of people in the shot. You
can also designate shots as Favorites or Rejects and include those
criteria as you sort, filter, search, and create Smart Collections.
Direct Access to Content Libraries Drag and drop photos, movies, music, and more.
Built-in content browsers let you preview and search for photos, music,
and sound effects without leaving Final Cut Pro. Easily access visual
content through the Photos Browser, which includes your iPhoto and
Aperture libraries. Final Cut Pro supports MP3 and AAC files, so you can
use iTunes as your built-in music library. Final Cut Pro also offers
more than 1300 royalty-free sound effects through a free software
update, as well as a range of generators — including graphic backgrounds
and textures — that add polish to your projects. When you find the
content you’re looking for, just drag and drop to add it directly to the
timeline.
Incredible Performance
Designed to take full advantage of the power of OS X and multicore Mac
computers, Final Cut Pro X operates at blazing speeds and with superior
quality.
- 64-bit architecture - Work with larger projects, larger frame sizes, more frames in RAM, and deeper multilayered effects.
- Resolution independence - Edit flexibly with support for image sizes from SD to 5K.
- Cocoa foundation - See dynamic feedback in a highly responsive interface enhanced for the Retina display on MacBook Pro.
- GPU utilization - Create more complex, higher-resolution effects that play in real time.
- Grand Central Dispatch - Save time with faster processing through the use of all CPU cores.
- Background processing - Eliminate interruptions to editing while rendering, transcoding, and moving media.
- ColorSync-managed color pipeline - Trust the color consistency across Final Cut Pro, Motion, Compressor, and QuickTime.
- Shared Render Engine - Render with consistent performance and pristine quality across Final Cut Pro, Motion, and Compressor.
- High-quality rendering - Using the Shared Render Engine, create
blurs, scales, and lighting effects in floating-point, linear-light
color space - the same quality found in high-end compositing software.
- ProRes - Edit full-frame, 10-bit, 4:2:2 and 4:4:4:4 HD, 2K, 4K, and
5K video sources — including ProRes Log C from ARRI ALEXA cameras - with
multistream, real-time performance in Final Cut Pro X. Learn about
ProRes-compatible devices
- View the ProRes White Paper
- Native format support - Final Cut Pro natively supports a broad
collection of professional formats, including REDCODE RAW, Sony XAVC,
AVCHD, H.264, and AVC-Intra. You can also import, edit, and deliver MXF
files using third-party plug-ins. And Final Cut Pro supports a range of
audio formats, such as MP3, AAC, AIFF, SDII, and WAV.
- Thunderbolt - Use Thunderbolt I/O technology in the latest Mac
computers to daisy-chain up to six high-performance devices, including a
video capture device, high-speed external drive, and your Apple LED
Cinema Display. You can also use Thunderbolt video devices to output
audio and video to an external broadcast monitor.
Minimum System Requirements
- -Mac computer with an Intel Core 2 Duo processor or better.
- -2GB of RAM (4GB of RAM recommended).
- -OpenCL-capable graphics card or Intel HD Graphics 3000 or later.
- -256MB of VRAM (512MB of VRAM recommended).
- -Display with 1280-by-768 resolution or higher.
- -OS X v10.6.8 or OS X v10.7.5 or OS X v10.8.3 or later.
- -2.4GB of disk space.
Homepage : http://www.apple.com/finalcutpro/
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